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Script
1. EXT. SVARTSJØ, LAKESHORE – NIGHT
Blue light strobes through the fog. A car sits at the water’s edge, engine still warm, driver’s door open. DI ANNA RASK (40s) walks the line of torches.
Plan every shot before you roll.
Script, mood, storyboard, locations and the call sheet in one project, for directors, producers and the crew that follows.
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Projects /Svartsjø – Series · Ep. 1 · Cold open
8 shots • 0:35Re-suggest
1.1Over Svartsjø
AerialCrane6.0s
1.2Blue lights
Wide ShotStatic4.0s
1.3Strobe
InsertStatic2.0s
1.4The empty car
Wide ShotStatic5.0s
1.5Torch line
Wide ShotTracking5.0s
1.6The beam
Wide ShotHandheld4.0s
1.7Anna
Close-upStatic4.0s
1.8The jetty light
Wide ShotStatic5.0s
8 shots • 0:31Re-suggest
2.1Rain
Detail/InsertStatic4.0s
2.2Interview room
Wide ShotStatic5.0s
2.3Across the table
Medium ShotStatic5.0s
2.4Anna listens
Close-upStatic4.0s
2.5The photograph
InsertStatic3.0s
2.6Recognition
Detail/InsertStatic2.0s
2.7Tor stands
Medium ShotDolly4.0s
2.8The corridor
Wide ShotStatic4.0s
8 shots • 0:39Re-suggest
3.1Wipers
POVStatic4.0s
3.2Anna drives
Medium ShotHandheld4.0s
3.3The road north
EstablishingStatic5.0s
3.4She stops
Wide ShotStatic4.0s
3.5Into the trees
Wide ShotTracking6.0s
3.6Birches
POVHandheld4.0s
3.7The cabin
EstablishingStatic6.0s
3.8Title
Wide ShotCrane6.0s
Timeline3 scenes · 24 shots · 1:45 · 15s under target
00:12/01:45
Interactive preview. Pick a frame, change the lens, open Appearance or Fields, press play.
The workflow
Six stages, one project.
The same tabs you use in the app, in the order a production runs. Pick a shot in one and it is selected in all of them.
Overview, treatment and script. Logline, synopsis and characters in Overview, a scene-by-scene Treatment, and the Script in screenplay format. The structure the rest of the project hangs on.
Projects /Svartsjø – Series · Ep. 1 · Cold openScenes3
One source of truth
Enter a shot once. See it everywhere.
The line in the script, the frame on the board, the row in the shot list and the slot on the call sheet are the same shot. Change the lens in the Shot Editor above and every view follows.
Board
1.4 The empty car5.0s
Shot list
Shot
1.4
Type
Wide Shot
Lens
50mm
Movement
Static
Status
Ready
Duration
5.0s
Call sheet
Day
Day 3 · Tue 17 Nov
Call
22:00
Location
Svartsjø lakeshore
Sunset
12:47
Permit
Approved
Every platform
Plan at the desk. Check it on set.
One account and one project, on every screen the production uses. What the director changes at the desk is on the AD's phone at basecamp.
- WebThe full workspace in the browser. Nothing to install.
- DesktopA native app for Mac and Windows, for long days in the edit suite and the office.
- iPhone and AndroidThe board, the shot list and the call sheet on set, plus scouting and sun position on location.
Try the sun seeker: drag the time and watch the sun cross the horizon.
09:41
Svartsjø · 24 shots
Storyboard
09:41
Day 3 · Tue 17 Nov
Shot list
Call 07:00Sunset 12:476/24 shot
09:41
Svartsjø lakeshore
Sun seeker
HorizonSESSW11:45Golden hour
Elevation1.4°Azimuth176°Sunset12:47
Outputs
What leaves Storyset is what the room needs.
The client gets a deck, the crew gets a call sheet, the editor gets a timeline. All of it from the same project, so nobody works from an old version.
Storyboard
PDFFrames, shot data and notes, laid out for the client or the crew.
Shot list
PDFExcelEvery shot with camera, lens, duration and scene, grouped the way the AD reads it.
Production pack
PDFOverview, schedule and call sheets in one document for the whole unit.
Animatic
VideoThe board played at its planned durations, with the music track.
Timeline for post
XMLEDLFrames on V1 at planned durations, so the editor cuts against the director’s rhythm.
Pitch deck
PDFLinkPresent it fullscreen, send the PDF, or share it as a page.
Timelines open in
DaVinci Resolve
Premiere ProFinal Cut ProAvid (EDL)
DaVinci ResolvePremiere ProFinal Cut ProAvid (EDL)For production teams
Each role works in its own view of one project.
Directors, producers, DPs, ADs and agencies open the same project and land where their work is.
Directors
Shape the film shot by shot and show the client exactly what will be filmed.
Story · Mood · Board
Producers
See scope, locations and the schedule early, and keep the pitch in step with the plan.
Scout · Shoot · Pitch
DPs and ADs
Lenses, movement and coverage per shot, turned into the shot list and the call sheet.
Board · Shoot
Agencies
One project per campaign, with a deck and a board the brand can sign off.
Mood · Board · Pitch
Beta
Storyset is opening to production teams.
Join the waitlist and we will send an invite when a seat opens.